Tuesday, August 28, 2018



“Corinne Michaels and Melanie Harlow are a match made in heaven. Five-Sweet-Stars for this unforgettable collaboration!” --A.L. Jackson, New York Times bestselling author


From NYT Bestseller Corinne Michaels & USA Today Bestseller Melanie Harlow, comes a second chance standalone romance.
Ian Chase broke my heart at seventeen, and I’ve spent the last eighteen years hating him for it.
He makes it easy, with his smart mouth and playboy lifestyle—which I unfortunately have to observe since he lives behind me. Every time I see him climbing out of his pool, practically naked and unreasonably sexy, my blood boils.
I’ve always loved to loathe him.
I never planned to need him.
London Parish is my little sister’s best friend, not that it stopped me from falling for her.
Our history is complicated. The only thing we have in common is being godparents to my sister’s three adorable kids—until our lives are changed in one tragic moment.
Now we’re trying to raise the children we love, mourn an unthinkable loss, and fight an undeniable attraction.
My life is already upside-down, and the last thing I need is for old feelings to resurface.
Because I’ll never be able to keep her, no matter how hard I try to hold her close.

I feel like I say this about every enemies to lovers book that I read. In fact, I think I do say this...every time.

But, it is true every single time. For me to believe in the lovers to enemies to lovers (or however they got to the enemies part of the relationship) I have to believe that the relationship isn't so damaged from the dislike as I no longer believe they will be able to put it past them. There can be misunderstandings, but they can't be cruel. If there were intentional hurts done to the other, I need to be able to believe the reason. If there is anger, I need to be able to believe they can move past it. In this one, there was a relationship, then there was the anger, and then there is the romance in this book.

The balance of that in this book is perfection. Ian and London were together 17 years ago. There was the beginning of the relationship, and then the realization that she was going to give something up, something major, to stay with Ian. He didn't want the responsibility, the possible future resentment. So, Ian pushed London away. And, then continued to do so...for 17 years. Even though London is best friends with his sister and lives in the house behind his. His sacrifice is something that he is, oddly, proud of. He sees himself as the kind of man who will give up what he wants in order for the people he cares about to be happy.

The dual POV of this title lets the reader know, fairly quickly, that the resentment and the hurt between them is really because there is a lot more going on than either are willing to admit. The hurt is there because of a connection that won't go away. Ian, despite London's belief to the contrary, absolutely was in love with her 17 years ago...and she was in love with him. But, they were both young, and made decisions that seemed right at the time, and ended up apart for 17 years.

Life, as it often does, steps in and forces them to work together, to figure out how to be in the same room, to rely on one another, and to be there for others who need them. And, it is this forced proximity and reliance on one another that not only allows the old feelings to come back, but also allows for those feelings to grow and also to give them a way to work out some of the old resentments.

I loved that the reason they split was that Ian was noble. There's a part in this, that I will not spoil, where Ian discovers the reason for a decision by another person...and it is such a beautiful moment. Ian is seen as the loving, generous, willing to sacrifice man that he is...by all of the people who matter most in his life. And, it is being seen this way that allows him to realize that, sometimes, the sacrifice is too great...and sometimes you have to let people make their own decisions and have their own regrets.

I recommend this title, and I loved it.

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“Ian,” my bartender, Toby, calls with his hand out. “What’s up?” “You have a call.” He pushes the phone toward me. No one calls the club for me other than vendors, and it’s eleven-thirty at night, so whoever it is can wait. “I have to deal with something now, send them to my voicemail.” He shakes his head. “She’s called three times.” The annoyance in his voice is clear, even over the music. She? The only woman that would resort to calling the club is my ex-wife. God only knows what bullshit she wants now. For all I know she broke a nail, it’s my fault, and she thinks I should pay for her new manicure, or a hand replacement. She’s like the gift you’ve tried to return but can’t find the receipt for, so you’re stuck with it. I hate unwanted presents, and I hate Jolene. “Send the devil to my voicemail,” I say and walk away. I head out to the sidewalk. Drea wasn’t kidding, the line is nuts. “Hello, Officer,” I say to the pudgy cop standing next to the bouncer. “Mr. Chase, we’re getting complaints,” he says, looking down the sidewalk at the line. “I can’t help that we’re popular.” I shrug. “I’m at capacity, and can’t kick out the paying customers to take care of the line.” “You’re obstructing the entrances of other businesses because of the way your overflow lines are set up.” How the hell would they like me to handle it? We’re not inside the casino, there’s no way to control the line. I’m not about to turn away people when we hit the number ten. This is a business, and part of the free marketing I get is thanks to the line. “All right, I’ll figure something out.” I grip the back of my neck. I feel my phone vibrate in my pocket. If this is Jolene, I swear to God, I might lose my fucking mind. The name flashes across the screen, London Parish. For fuck’s sake. Like I need to deal with my sister’s uptight, irritating best friend right now. London would be incredibly hot if she wasn’t such a raging bitch. I look at my call log and see this is the third time she’s called. I walk down the strip a little, and after a few deep breaths, I call her back. “Ian, you need to come to my house.” I smirk. “Well, this is a first. Did you have the stick removed from your ass?” “Don’t. Not today, please. Just come here.” I hear her sniff and my protectiveness kicks in. Someone made her cry. We don’t get along at all—partly because we’re polar opposites and partly because of our history—but no one gets to make her cry. “Are you hurt?” I ask. “Not in the way you think.” Her voice hitches. I’ve known London for twenty-five years. I can count on one hand how many times I’ve seen or heard her cry—I was the reason one of those times. “What’s wrong? Is it an emergency? Because I’m at work and the club—” “Now, Ian. You need to come here now.” She also doesn’t play games. Fuck. I look at my watch and blow a deep breath through my nose. It’ll take me at least thirty minutes to get there. This is seriously a shitty night. “I’ll be there as soon as I can.” “Just . . . hurry,” London says and hangs up. Dread pulls at my stomach, telling me there’s something going on. I don’t know what, but I know I need to get there. “Get rid of the line, no more get in,” I tell the bouncer, and then head inside. Drea is at the bar, and my anxiety is starting to grow. London needs me there, why? What happened? Did someone break into her house? Mine? Maybe it has to do with an ex, if she even has one, or it could be nothing like that. Regardless, her voice was shaky and I can’t waste time wondering. “I have to go,” I tell Drea. Her eyes widen. “Go? Go where? It’s a packed house.” “I’m aware of that, but something came up. I need you to handle things tonight.” I turn to Toby. “Stay until Drea is done closing and I want you to escort her to her car at the end of the night.” He nods. I never let her walk out of here alone. Even if I have someone coming home with me, Drea’s not going to be unescorted. Too many men get the wrong impression because she’s nice to them. Over my dead body will she be hurt as a result of working at my club. After I get in the car, my mind is racing. I drive faster than I should, telling myself that London is just being dramatic. And then I remember . . . she has my nephew and nieces at her house. My foot pushes down on the pedal of my Jaguar, making the engine howl with each mile. I turn into the development where we both live, pass my house, and head to hers. I still hate that our backyards touch. Every damn day I see her sitting out on her deck, reading her books, looking down at me with her disapproving attitude. When I get there, the flashing lights of a police car brighten the road. I don’t think. I don’t know if I even put the car in park before I’m out of the vehicle. “London!” I yell as I rush through the door. “Christopher? Morgan? Ruby?” I call out for the kids, praying it’s not one of them. When I get to the living room, I release a heavy sigh—they’re all there, not hurt. Then I see the tears streaming down Morgan’s face. London gets to her feet. Her eyes are red, puffy, and black mascara runs down her cheeks. “Ian.” She chokes on my name. “What’s wrong? What happened?” The girls start to cry again, and my nephew pulls them into his arms. London moves toward me, placing her hand on my chest. “They’re gone.” “Who?” I ask, confused. “Sabrina and David,” she whispers. Yeah, they went on a trip. Why the hell are they crying? “This is what you called me for? They’ll be home in a few days. Why are you crying too?” I ask. Her green eyes meet mine and her lips part. “No.” She shakes her head. “They won’t.” I look over at the kids again, and then to the muted television. My feet move closer, because I have to be sure the words flashing across the screen say what I think they say. “Flight 1184 crashes off the coast of Hawaii. Three hundred missing and presumed dead.” My sister was going to Hawaii. My sister is gone. I sink to my knees in front of the kids, unsure what to say. They just lost their parents, and my heart is breaking. My sister was my best friend. She was the one who pushed me to open Veil and do what I wanted. I’ve always had her support, and now she’s gone. Christopher lifts his head, his brown eyes filled with unshed tears. “They’ll find them,” he says with conviction. “Okay,” I reply. We both know it’s a lie, but it’s one he has to tell himself. I remember being fifteen; there was no telling me I was wrong. “Dad wouldn’t . . .” he starts, and then stops as his lip quivers. My own tears start to fall, as Morgan grabs my hand. “What do we do now?” I have no fucking clue. How do I tell these kids how to survive? I’m the last person in the world equipped to give this advice. I look to London. Her hand touches my shoulder and she wipes the tears that fall silently down her cheeks. “We hold each other close,” she says.

About the authors:

Corinne (1 of 1)-4matteNew York Times, USA Today, and Wall Street Journal Bestseller Corinne Michaels is the author of nine romance novels. She’s an emotional, witty, sarcastic, and fun loving mom of two beautiful children. Corinne is happily married to the man of her dreams and is a former Navy wife. After spending months away from her husband while he was deployed, reading and writing was her escape from the loneliness. She enjoys putting her characters through intense heartbreak and finding a way to heal them through their struggles. Her stories are chock full of emotion, humor, and unrelenting love. 

Harlow Headshot Color

  USA Today Bestselling Author Melanie Harlow likes her martinis dry, her heels high, and her history with the naughty bits left in. When she's not writing or reading, she gets her kicks from TV series like VEEP, Game of Thrones, House of Cards, and Homeland. She occasionally runs three miles, but only so she can have more gin and steak. Melanie is the author of the AFTER WE FALL series, the HAPPY CRAZY LOVE series, the FRENCHED series, and the sexy historical SPEAK EASY duet, set in the 1920s. She lifts her glass to romance readers and writers from her home near Detroit, MI, where she lives with her husband, two daughters, and pet rabbit.

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